
He was born in Ambato in 1931; their parents were Cesar Enrique Viteri and Maria Elena Paredes Borja
When he was 13 years old his family decided to move to Quito. He has been painting since childhood. His house in Quito was surrounded by pre-Columbian art, colonial, republican, contemporary art and popular art.
Viteri began his education as a student of architecture in the Central University of Quito in 1951. He studied since 1954 with the Dutch painter Jan Schreuder and worked at the studio of the North American painter, Lloyd Wulf, until 1960
He worked in the workshop of Oswaldo Guayasamin and in 1959 Viteri assisted him on a mural commission for the Ministry of Public Works, also made a mural for the Ambassador of Venezuela in Ecuador.
In 1961 He founded the Ecuadorian Institute of Folklore which he directed for several years.
In 1969 he made many drawings burdened with an emotional dramatic expression.
When he was 13 years old his family decided to move to Quito. He has been painting since childhood. His house in Quito was surrounded by pre-Columbian art, colonial, republican, contemporary art and popular art.
Viteri began his education as a student of architecture in the Central University of Quito in 1951. He studied since 1954 with the Dutch painter Jan Schreuder and worked at the studio of the North American painter, Lloyd Wulf, until 1960
He worked in the workshop of Oswaldo Guayasamin and in 1959 Viteri assisted him on a mural commission for the Ministry of Public Works, also made a mural for the Ambassador of Venezuela in Ecuador.
In 1961 He founded the Ecuadorian Institute of Folklore which he directed for several years.
In 1969 he made many drawings burdened with an emotional dramatic expression.
Viteri continues to work on his collages, but portraits and figurative drawings are still significant facets.
Viteri asserts his permanent interest in the contemporary world, his own environment, the need for the strengthening our Andean identity.

